Practicing 21st Century Photography
Freelance Editorial Photographer


As a transplant from the Midwest, the Colorado Front Range is a fascinating foreign landscape tome; and much like the explorers before me, I am drawn to discovering new places, and gaining a better understanding of my surroundings. In the process of this exploration I became very interested in how early settlers to the region made a significant and lasting impact to the scenery of the area in the process of making it more habitable. Namely in the creation and maintenance of the irrigation and reservoir system, which is essentially a complex network of man-made ditches.

The ditches were often dug by hand or mule pulled plow; not until many years into the process would the steam engine help ease the intense labor of the process, but only slightly. The goal was simple, year round irrigation for farmers and protection from spring floods. As part of the ditch system, reservoirs were established to both save water for drier months, and protect newly developing communities from the threat of a devastating flood. The water was diverted far into the eastern plains of Colorado using ditches to establish a large network of farming communities; to this day agriculture is one of the primary revenue sources for Colorado.

While the goals of early settlers were a simple task of survival, the result visible over 170-years later is one of immense beauty. With this project I am attempting to reacquaint the viewer with the beauty possible in the everyday utilitarian systems that we have created. The subjects I use are the ditches and the control mechanisms for Colorado’s most valuable resource, water. The camera I use is a simple box with a small hole, much like the crude tools of the settlers who first broke ground on the ditch system. I hope to do my small part in recognizing and preserving these spaces before they again evolve, as humans continue to alter the ecology of our landscape.

South Boulder Creek, 2008. Pinhole Camera, Color Film, Pigment Inkjet Print, 12x36 Sluice Gate at Sunrise, 2008. Pinhole Camera, Color Film, Pigment Inkjet Print, 12x36 Drainage Ditch, 2008. Pinhole Camera, Color Film, Pigment Inkjet Print, 12x36 Shadow of the Wheel, 2010. Pinhole Camera, Color Film, Pigment Inkjet Print,



Todd A. Dobbs practices 21st Century Photography, using a hybrid mix of primitive pinhole and toy cameras, and digital editing and printing technology, to achieve his conceptual vision. Todd's work has been exhibited and published internationally. Photographs from recent series are available for sale or exhibition.